
No angler can deny the opportunity to hook into a double digit stiped bass. The sheer power and agility of these fish are incredible. Springtime on the California Delta brings in the big mamas as they roll in to spawn followed by eager males. They push back into arms of main channels but remain close to moving water, and you can bet they’ll be feeding up around channel breaks, flooded islands, points, and beds.
It’s not a bad time of year to drift live bait, as many anglers do, such as live bluegill and mud suckers, or whatever forage you have on your home water. But I like targeting those giants and isolating them from the smaller shakers. The technique may not bring a ton of bites, but it’s the bight you want. For this, I like focusing on movement – fast, erratic, often incorporating quick pauses in between. If you’re ready to level up your swim bait fishing, check out these specialized stiped bass lures meant to cover water and call in the giants.
G-Rat Sneaky Pete Glide Bait
Few glide baits amount to the alluring movement of the Sneaky Pete in Spring Its affordable and moves amazingly in moving water. Wherever you find current or windswept points or islands, the sneaky Pete is a fantastic presentation. It has a good wide S pattern. This is irresistible with a fast intermittent twitch that sends the bait backward and picks up again fast into a enticing cadence.Â
Savage Gear 3D Shine Glide Pro Swimbait

It’s not a bad time to tie on a glide bait, as a lot of anglers are doing right now—especially when you’re trying to imitate the common forage in your water. But when the goal shifts from getting bites to getting the bite, I like picking up something with a little more presence and intention, like the Savage Gear 3D Shine Glide Pro Swimbait.
The technique isn’t about numbers. You’re not out there trying to rack up quick hits—you’re trying to pull a reaction from fish that have seen it all and don’t make mistakes often. That’s where this bait starts to separate itself. It’s built on a true-to-life 3D scan, and in the water, it carries that same realism, especially when it starts to glide.
I like focusing on movement—slow, controlled turns mixed with sharper, erratic snaps. Let it sweep wide, then break cadence with a quick twitch or pause. That change-up is usually what gets their attention. The Shine Glide Pro tracks clean through all of it, staying balanced instead of blowing out, which gives you confidence to fish it how you want.


